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Joined 1 year ago
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Cake day: June 27th, 2023

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  • Macs are like uncannily good at real-time audio processing, also audio and MIDI routing in general has less friction. Less tinkering in general when connecting external synths

    Like with anything you can find tons of people online who have no issues with their windows based production setup, YMMV. But macs are ubiquitous in the music space, from my experience I think it’s deserved


  • That’s where I’m at as well. Could go so many different ways; how do I know someone is intelligent? Do their conversations feel particularly deep to me? Do they invest their money well? Good at memorizing baseball facts?

    At a certain point yeah, obviously if they just have wind blowing around inside their head it’s unlikely that I would find them desirable as a partner. So in a way it is very important to me. But the vast majority of people are capable of nurturing loving and rewarding relationships rooted in who they are as a whole, whether or not they are remarkably intelligent. So in another way it’s not important at all



  • Plus extremely boring, because you’re not doing anything remotely sounding graceful

    It’s something every single musician has to go through.

    Actually it’s something everyone has to go through when learning anything.

    Would you also quit learning a second language because you can’t immediately have a full conversation with a native speaker? Quit working out because you don’t start with the ability to do pull-ups? Quit any game you try if you don’t win your first match?

    The excitement is in seeing yourself progress from the point of being a complete beginner. You are depriving yourself of a great joy by abandoning the project at the first sign of any friction


  • So, a limiter and a compressor are actually the same thing! Just used in different contexts. You can think of a limiter as being a compressor set to extreme values, so that you can guarantee that at no point will the volume go beyond a certain threshold.

    So let’s think of like, a guitar string being plucked. It starts out loud and percussive, you get some string noise as well. Then the actual tone is played, starts as loud as it will ever get, then gradually reduces in volume over time naturally as the energy in the string is lost.

    Suppose we set the limiter to be a very low threshold, just above the quiet ringing you would hear after like 15 seconds of letting the guitar string resonate. Essentially the limiter will aggressively turn down the volume during the whole beginning, then ease off as the tone naturally quiets.

    The final result is that you’ve transformed a sound wave that started out with a large amplitude that gradually got smaller, into one that has a generally uniform amplitude throughout its entire duration! Then, as with all compressors, since you’ve actually reduced the amplitude of the wave, you can now turn the volume waaaaaaay up without clipping out. So now, stuff that used to be quiet is now just as loud as the loudest parts of your recording. A rustling leaf would be played at the same volume as a gunshot.

    The issue this creates with vinyl is that carving such an extreme waveform into a physical medium results in a path the needle simply can’t follow accurately.

    Imagine an old wooden roller coaster, one in which the cart isn’t attached to the track other than by gravity holding it there. If you included a sudden massive drop when the cart was moving at high speed, it wouldn’t follow the track, it would actually fly off the track briefly as it can only accelerate downward as fast as gravity will allow.

    If the needle is the cart, and the carving in the vinyl is the track, these moments of air time will create audible distortion. It’s actually a bit more precarious than that, even, as vinyls actually use not only the up and down components of gravity, but left and right as well. The two tracks superimposed are what allows us to create a stereo image (having distinct sounds in the left and right speakers).

    There’s also a ton of other things that can cause distortion, but I don’t want to ramble on forever! The basic rule of thumb is that a vinyl master essentially just has less low end. From what I understand, this is the root of why many people prefer “the sound” of vinyl, they simply prefer a slightly more mid-dominant mix



  • I’m not sure exactly how it works tbh! But this was also one of the findings of the National Weight Control Registry when studying people who successfully lost weight and kept it off.

    78% eat breakfast every day. 75% weigh themselves at least once a week. 62% watch less than 10 hours of TV per week. 90% exercise, on average, about 1 hour per day.

    Some more tidbits:

    98% of Registry participants report that they modified their food intake in some way to lose weight. 94% increased their physical activity, with the most frequently reported form of activity being walking.

    If I had to speculate, my guess is that having breakfast results in a better workout. And then a better workout makes you more likely to comply with your meal plan, which then results in better long term weight results