

Personally, I think the most scarring sci-fi moment I ever had was the Doctor Who episode with the TVs that eat people’s faces.
“Life forms. You precious little lifeforms. You tiny little lifeforms. Where are you?”
- Lt. Cmdr Data, Star Trek: Generations


Personally, I think the most scarring sci-fi moment I ever had was the Doctor Who episode with the TVs that eat people’s faces.


I feel like at the very least, if season 4 never happens, I’m assuming that some time in the 2030s any leftover material will get turned into novels and/or comics.
I already enjoyed the lone Orville novel, Sympathy for the Devil, even if the choice of the
Nazis
for its plot was a bit cliched.
I haven’t read the comics yet, although seeing their premises, some of them seem a bit camp.
Looks like that site is dead and has being an AI slop domain squat.


XFCE!

In all serious, while I use XFCE on most personal things, if I was pressed to choose between the big two, I think I’d choose KDE over GNOME; in fact, when I had to loan my younger sibling a laptop recently and that laptop was too old to run Windows 11, I put them on Debian with KDE. I think KDE is also my backup plan if major applications start dropping xorg support before XFCE has implemented sufficient Wayland support, although they seem to be making progress.
Out of the box, KDE tends to be more Windows-like and just better for my workflow in general, while GNOME can just be… weird. Like, I don’t quite hate GNOME as much as I used to - I plan on throwing it on an old Surface tablet soon - but like others have said, it’s very opinionated and doesn’t like customization and whatnot. I also resent GNOME in the sense that they tend to make design designs (such as in GTK 4) that reduce ease of interoperability across different open source desktops.


Technically, Fandom is MediaWiki, just used for its evil aims.
Since Trek is nearing a big lull in activity in the next year or two, I think that might be the optimal time to start up a Memory Alpha fork.


I will admit Lower Deck is always a bit crass and that element never goes away, but the characters develop really well and it’s impressive how attached they get you to them in a total runtime shorter than TNG season 1, and the show gets surprisingly emotionally sincere as it goes on.
And I’d say seasons 3, 4, and maybe 5 have what I’d call legitimate contenders for some of the franchise’s best episodes. Honestly, if it’s really hard for you to watch season 2, just skip to Wej Duj and watch from there.
But honestly, if you can’t get past the crasser elements, I get that.


Bang, bang, Mak’zel’s silver hammer came down upon her head. Bang, bang. Mak’zel’s silver hammer made sure that she was dead.


I agree with my sister that it should have been a flashback later in the season; they didn’t need to tell us so directly in the first episode.
Then again, DS9 did the intro text thing explaining Wolf 359, so…


Really? I think the show’s so gosh darn horny in that disgusting Rick Berman way all the time that I’d take almost anything over it.


Why does the Enterprise D bridge look like the interior of a 1990s car stretched out?
And being a former Vegas resident, DS9 accurately pictures being in one of the more run-down Vegas casinos.
Also, honestly, I think modern campus architecture has embraced this “casino look” you describe, weirdly enough.


You only watched season 1 of LD didn’t you?


I think part of it too is 32nd century Trek has already done a lot of sociopathic, who’s-gonna-stop-me, “because I’m evil”-type villains, and we need someone a little more gray, or at least psychologically compelling; as seen with Gul Dukat and Kai Winn, you can still pull off interesting but pure evil characters.


His consciousness is uploaded after death into a torture simulation by a curious computer with emerging sentience for several hundred years a la I Have No Mouth and I Must Scream; when the computer finally learns its lesson and builds a new body for O’Brien’s backup consciousness, he just gets right back to work, centuries of technological progress be darned.


It would use fields or something to do different things for different people; an escalator for some, a wheelchair life for others, normal stairs for those who choose, but for Miles O’Brien’s transporter clone stuck in the 32nd century, it sets the gravity to 10x and forces him to crawl with all his might to the stairs’ control panel. This happens once a week.


But maybe they’re magic sci-fi stairs…


I kind of disliked Giamatti’s character, honestly; just a bargain bin Harry Mudd.
Otherwised enjoyed it.


I think KDEnlive is good as well, definitely the least terrible FOSS one. I never used Premiere Pro on that advanced a level, but for basic effects, keyframes, and title cards, it does quite well.
The main proprietary, “professional” one on Linux is Da Vinci Resolve, but I’ve never used it on Linux, since KDEnlive is just fine for me.
Honestly, in my opinion, every video editor is terrible to some extent; it’s having to deal with enormous amounts of data every second more than almost any other program on a computer, and even a semi-usable editor is a mind-bogglingly impressive feat.


Of course I don’t mean those art-stealing cannibals over at Adobe allowing them, I mean the Wine software allowing them, as it semantically implied.
Like I said, I wouldn’t touch Adobe with a 39.5 foot pole, but Photoshop is unfortunately necessary in those relatives’ industry, so getting on a high horse and telling them to use GIMP or Krita is not going to accomplish anything.
I’ve gotten used to GIMP and used it for a lot of cool thing (especially G’MIC for getting CD liner note scans looking quite good), but it’s just not a solution for serious professional use.


Not necessarily. It’s often less Calc’s capability that is at issue, and moreso its compatibility with imported sheets. Calc tends to have every feature I need when I make a spreadsheet.
I saw my baby crying hard as babe could cry. What could I do? My baby’s love had gone, and left my baby blue. Nobody knew