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Cake day: June 17th, 2023

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  • I can certainly appreciate your viewpoints. I only watched it once and in theaters, so it’s been a while. I saw it as a gritty version of what happens in the comics behind the “Pow!” action bubbles, but I can certainly see the incel justification take. I would say that was more visible to me with Riddler in the latest Batman, but didn’t see it as much in Joker. I went into it on the recommendation of a very accurate depiction of 1980s NYC so that may have drawn my attention away from other themes.

    I do agree, I’m not a fan of the incredibly vague suggestion that it might all be fictional - Joker, Shutter Island, Inception. I’ll give it another go and look for the details, but it’s one of the things I refuse to entertain. I could agree there’s intentional inaccurate recounts of details but I always buckle down on “yes it actually happened”




  • XeroxCool@lemmy.worldtoMemes@lemmy.mlGaming today
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    3 months ago

    Does it have transition animations or is it actually smooth? Asking from Elite Dangerous where the transition sequences feel pretty immersove to me. Each solar system is an instance with a wormhole jump between. Sublight and FTL have a charge/dropout sequence. The worst is switching between ship/rover/foot where the screen goes black and you hear footsteps. So what does SC do?


  • Without movie context: blonde white man, traditional haircut, general frustration, devout determination

    With movie context: he’s pissed that Barbie has so many freedoms and superior rights. It’s a woman’s world. Males are lower class and serve the women. And if you stop the movie 2/3 through, Ken/men take over the world in Barbie’s absence and take their revenge to live happily ever after. Conservative men tend to think the world has already been taken from them since they’re no longer supposed to catcall women walking, slap their secretaries’ asses, and generally blame this generally progressive trend for equal rights/freedoms as the reason they’re so unsuccessful in life. They don’t blame the economy, capitalism, imperialism, unsustainable growth, misrepresented postwar success, or politicized religious takes; they’ve been brainwashed to identify women as one of the outgroups taking away their resources in a zero sum game.



  • Devout Christianity is a common reason. Specifically, the kind that believes abortion is murder and is the number 1 topic that can supersede all others. If one candidate vows to outlaw it and the other vows to protect it, the conservative Christian brainwashing machine gets these out-groups to vote against all of their interests to “protect babies”.

    Taxes is another I hear. People actually beleive Republicans are fiscally responsible and going to help these out-groups, many of whom are lower middle class, get ahead by reducing tax. Ignore the part where reducing everyone’s taxes increases everyone’s gains, increasing everyone’s budget, and therefore not actually increasing anyone’s purchasing power because the market will adjust sales price higher.

    Obviously, this works on the majority demographics too. But they’re closer to the in-group than who you asked about



  • Wild. I was just complaining that I used to follow Lockheed Martin on social because planes are cool, but it’s recently become filled with missile and other direct weaponry posts. I’m well aware of what the purpose of a fighter plane is. They used to at least have fun posts about the scientific work performed by the U2 and SR71.


  • There’s certainly a tipping point where light becomes too yellow to accurately represent color. I was recently shopping bathroom vanities and some showed what the greens and blues would look like under different color temps, with 2700K just about ruining the appearance. I also painted a room in light blues and had to change the adjustable lights to 3500K, if I remember correctly.

    I’m just intrigued and thinking out loud. I’m having a hard time describing yellower as harsh. I could see the overhead lights doing a better job at flooding an area and minimizing shadows, whereas window light would be diffused but still somewhat of a point-source depending on distance. The “backrooms” image of the empty office space certainly comes to mind where it’s all a vague shade of yellow-green.

    As far as people who can’t seem to see anything under wandering daylight, IME, they tend to be a mix of people who are either older (reduced dark vision, reduced focus) and impatient people (who don’t understand your eyes take 5 seconds to adjust pupil size but 20 minutes to refill rhodopsin, your night vision juice). Or just people who demand conformity. Or a 4th group I suppose, who have max-brightness screens that doesn’t play with eyes well against dark backgrounds. I do personally prefer natural light and wait for my eyes to prove they can’t see enough before using lights, except for when I have physical tasks to do like cook or repair something.

    Apologies for seeming like I was telling you you’re wrong. I was trying to get your perspective but just rambled in my own opinions. Lights are a notable hobby for me, sort of. Headlights, flashlights, night lights, street lights, light pollution, night sight, neon lights, uv lights… I read up on lights weirdly often.


  • Itvs interesting that you find yellow light to be harsh. Normally, the yellower tones (2700k-3500k) are called warm and soft white. Daylight is 6500k with a notable blue tone and neutral white is somewhere around 4500K. Is your office also filled with brown/dirty surfaces that seem highlighted by the warm light or grays that clash with it? Florescent lights (and cheap LEDs) are especially harsh in general because they have really bad color rendering, meaning certain tones get muted and distort perception. Letting in daylight may just be helping restore color vibrance. Bluer lights also tend to have more UV output, which makes them more painful at night. Yellower lights lean towards the red end and aren’t so jarring for the same brightness. Bluer lights get used in hospital, lab, and other high-detail settings for more clarity, while yellower lights get used in more relaxed environments where visual detail is less important.

    I wouldn’t guess you have a different cone count, but I would guess there’s some underlying perceptions about colors and visuals.



  • Yes, that particular costume was the cover picture the entire time before I watched it (Netflix). It switched to a couple other shots of that character as I progressed but I don’t know if it was related. As a Halloween enthusiast, I have studied this picture a lot and I’m always excited to see it. In my opinion, it (and other moments with this costume) is just perfectly unsettling. I guess because of the very clean seams around the mask, perfectly masking the wearer’s identity. The eyes are so perfectly black and the face so perfectly pointed at the viewer. It’s probably also fueled by the sex appeal, tricking me into the danger zone. That’s even before I found out how unsettling the scene actually is. It caused me concern in a daily activity for a couple weeks (no spoilers).

    Anyway, as for the show, I really enjoyed it as well. It’s a series of separate events being retold by daddy/grandpa Usher, leading up to the present. It’s horror and fairly gruesome without toouch gore, but, imo, tells a damn good story. I greatly enjoyed the pacing of the reveals and the action. I would say it resembles American Horror Story as a genre, but without as much senseless violence and horror - or maybe it tells you it isn’t so senseless. Maybe a little more sexually driven but certainly less gory.

    It was also cool, as a Battlestar Galactica fan, see two BSG actors come up. Mary MacDonell as a titular series character, and Michael Trucco as an episode character. I enjoyed the music, both the soundtrack and score, so much that I was surprised it wasn’t Bear McCreary.

    Like I said, I’m just here to talk about The Fall of the House of Usher. I recommend it as an 8-episode self-contained series. I enjoyed the placement and delivery of all the actors in their roles.