It’s a bit like learning that Russian cargo ships don’t get boarded by pirates because they’ll just start fucking shooting.

Say what you want about Russians, but that kind of rules.

Well the point here is not that China is cool and based actually, but that people definitely did some lying on this point and those same people definitely think it means that any and all forms of communism are authoritarian and there is no alternative to capitalism.

There has to be some percentage of people who let this be the thing that radicalises them, and I don’t want to hear any doomer takes about how these people are impossible to reach. I’ve heard loads of stories over the years of this or that particular moment being the moment that snapped someone out of their fascist sympathies.

You live in a different universe where talk matters more than actions and individual voters have more power than the systems and people that consistently screw them over.

That’s not a gap I can bridge.

If all of the people who stayed home would have been kamala voters then it sounds like she failed to inspire them to vote. It sounds like she lost an election.

Yes, if an unprecedented, impossible turnout occurred then dems might’ve won, but that’s not actually a strategy, that’s fantasy. Assuming there isn’t some level of divine intervention, then people are right that their vote doesn’t matter, because this is the real world where we already know a plurality of people don’t vote.

It’s almost like voter disenfranchisement works.

I don’t know why liberals can’t get this basic concept: if electoralism is meaningful at all, then the electorate cannot be wrong.

If the electorate voted “wrong” then your democracy doesn’t do what it claims to, it does not represent the people. <- this is actually the correct answer btw

Blaming the electorate achieves nothing.

The electorate didn’t fail the dems, the dems failed the electorate.

It’s hard to blame the people who stayed home when disenfranchisement is an intended feature of your electoral system. The vast majority of people know for a fact that their vote mathematically does not matter and a huge number cannot get time off on the weekday it is scheduled for.

If a full third of people stayed home, that’s a systemic problem, not an individual responsibility problem. Your electoral system is completely captured by capital and you are stuck blaming the electorate.

Folks please: US corruption is not a cultural or personal issue, it is systemic. Power corrupts, not just people, but systems. The US has been at the head of the global hegemon for most of the last century, they have most of the billionaires, of course they are corrupt. That’s where capitalists focus their efforts to get the most returns. It’s not an accident that the guy doing DOGE just happened to be the richest man on the planet.

Maybe focus your energy there instead of on the people who have literally no power.

Dunno if you know dimension 20 and their Misfits & Magic mini-series, but it was basically a satire of Harry Potter, really attacking some of the unquestioned tropes in that series.

Anyway, this is a beautiful clip of Erika Ishii, who is NB, at the start of the series, saying what they think of TERFs:

https://youtu.be/4GiVpELykaE

Okay, that’s all very interesting and I love the idea about dynamic music, I’ve had similar thoughts myself but wouldn’t have thought to go this far to make it happen. I’d love to see what you come up with!

My only real thoughts are about the transpiling, so the editor uses relative time codes but the format itself uses absolute, if I understand you, and you’re converting between the two?

That to me hints of code smell, because I wonder why that’s necessary. For example, could you program the editor to display and work in absolute time codes, or is there something stopping that from happening?

Alternatively you could simply make the format capable of natively understanding both relative and absolute commands, so whichever is more appropriate to the context is what gets used.

Keeping them different seems like it will require you to program two formats, make them compatible with one another and deal with bugs in both of them. Essentially you’ve not only doubled the number of places where bugs can arise within the formats, you’ve added the extra step of transpiling which also doubles the number of interactions between the formats, adding even more complexity, even more places where inconsistencies can show up, even more code to sift through to find the problem.

It’s the sort of thing that shows up in legacy systems where the programmers don’t have the freedom to simply ditch one of the parts.

Personally if I had the freedom of programming the system from scratch I would rather commit completely to a single format and make it work across the entire stack, so then I only have one interpreter/encoder to consider. That one parser would then be the single point of reference for every interaction with the format. Any code that wants to get or place a note for any reason - for playing, editing, recording, whatever - would use the same set of functions, and then you automatically get consistency across all of it.

Edit: another thought about this: if you need some notes to be absolute and others to be relative, it might be worth having an absolute anchor command that other commands can be relative to, and have it indexed, so commands are relative to anchor 1, 2, etc. Maybe anchor 0 is just the start of the song. Also maybe you could set any command as an anchor by referring to its index. That way you can still move around those commands in a relative way while still having the overall format reducible to absolute times during playback. Also a note “duration” could just be an off command set relative to its corresponding on command.

I say that because as another principle I like to make sure that I “name things what they are”. If the user is programming things in the editor that are relative, but under the hood they’re translated into absolute terms, that will probably lead to unexpected behaviour.

It’s a good thing literally every critic of yours sounds like that ridiculous strawman or else you might have to think critically about your worldview.

The argument could be made that because the image generator is essentially a regurgitator with no artistic interpretation, there is no transformative artistic value in it. It’s like applying a filter with extra steps.

Also the generators charge for access, so they are profiting off of the IP. That’s quite different to making something for personal use or releasing it for free.

Honestly a lot of this post is very inside-baseball with a lot of lingo, and the last paragraph is very dense, so it’s hard to know what you mean, especially by the term “transpiler”. What is it transpiling to & from, and where does this happen in the overall process of implementing the editor?

I’m sorry I don’t have a lot of insight other than: it sounds like you know better than anyone here, so just try it and see what works. Sometimes rewriting a system is unavoidable as you figure out the logic of it.

Also as someone with some interest in programming my own physical MIDI instruments, I’d be interested to hear what limitations of MIDI you’re talking about and what your system does differently. It sounds like you’ve got a pretty advanced use-case if MIDI isn’t up to the task.

GodFUCKINGdamnit please don’t remind me how easily I trust random commenters to report information.

At this point even if I click on it there’s no guarantee one of you fuckers hasn’t vandalised the page.

Some real “steel is heavier than feathers” energy coming off this teacher.

Not only that, the two statements in the premise are simply given. How is the child to know one of them is false? At that point, why not say Marty ate more than Luis and therefore the fractions must be different? Maybe the fractions are wrong and Luis ate more.

Just an absolutely terrible question if that’s supposed to be the answer. I’d guess the teacher didn’t write the question and didn’t understand the answer.

I remember people talking about how the other smokers at work were all the cool people. And like, yeah, you spend several minutes several times a day hanging out outside with them, with no work and nothing to do but shoot the shit. Of course you like them better, you spend way more time with them.

Also you can all bond over your common terrible life choices, what’s not to like?

Assume, he says, that the distribution of holdings in a given society is just according to some theory based on patterns or historical circumstances—e.g., the egalitarian theory, according to which only a strictly equal distribution of holdings is just.

Okay well this is immediately a false premise because nobody seriously makes this argument. This is a strawman of the notion of egalitarianism.

Also, we don’t need Wilt Chamberlain to create an unequal society, we just need money. It’s easy enough to show that simply keeping an account of wealth and then randomly shuffling money around creates the unequal distribution that we see in the real world:

https://charlie-xiao.github.io/assets/pdf/projects/inequality-process-simulation.pdf

And every actor there began with the impossible strictly eqalitarian beginning. No actor was privileged in any way nor had any merit whatsoever, but some wound up on top of an extremely unequal system.

So Noszick just needs to look a little deeper at his own economic system to see the problem. There is no reason why we need to have a strict numerical accounting of wealth.

You don’t replace your dish gnome cartridge every 3 years? I was told it was a feature. They get tired.

…well my biggest question now is why I didn’t even notice that.

Well sure, psychos with nukes are scary and there may be an element of the US losing control of their attack dog, but the idea that the Israelis are calling the shots is not really accurate. It cuts dangerously close to the antisemitic conspiracy theory that Israel through AIPAC controls the US government, which also conveniently lets the US off the hook for sponsoring them.

I just think it’s important to remember that for all their brutality, Israel is not charge, and they are not the military superpower that has dominated much of global politics for the past century. They are a vassal state and they would listen if anyone in power had the will to tell them no, they are far too dependent on US support.

It’s probably more like institutional inertia. It takes a long time to stop a ship that big.

Israel is of strategic importance to project US power in the middle east to secure oil.

That’s also the reason they were allowed to continue with their nuclear program.

It’s not fear, it’s power politics. Western powers actively support them. They are not uniquely evil, they are just what happens when fascism is sponsored and allowed to run unchecked.

This is Joe Biden making it perfectly clear: https://youtu.be/A-Ky3dPEnOE