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Joined 1 year ago
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Cake day: July 2nd, 2023

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  • In 2019 a friend and I got subscriptions to Regal and began going to a movie a week. Most days we’d plan something, but sometimes we’d just show up and pick something. (We blindly picked Underwater, and what a great surprise. Also decided to see the Tom Hanks Mr. Rogers film and proceed to ugly cry all over myself.)

    Then COVID.

    The last movie I saw in theaters as a subscriber was Bad Boys for Life. I tried to go see Dune 1. I drove 30m, bought popcorn and a slushee, and waited… But the video file was corrupted. They said they had to redownload it before the next show, so they canceled the showing and gave everyone a free ticket. I never bothered using it. I just went home and watched it for free on HBO Max.

    I love theaters, both as nostalgia and just to have the experience. But man, “paying extra to go out of your way” is a difficult sell.




  • That’s what led me to this. I quit Audible a few months back, planning to just buy more media outright. But they offered me a “come back and pay $0.99 for the first three months!” and I’m not really saying “no” to basically giving them Amazon’s money. (Though for the holidays they’ve apparently upped the offer to that plus a $20 credit.) So I thought this would be a good general question as I look for more ways to support creators directly, after taking their money runs out.

    Good mention of Libby, too. A coworker recommended that to me, so I’ve got it now as well. Sadly my local selection isn’t great for audiobooks. But it does make me want to get an ereader more.

    Bandcamp looks to be a good way to buy music though, as someone mentioned. But I can’t find any good way to buy digital copies of movies/TV. It’s all pretty platform locked, it seems.



  • I love the question! I rarely listen to songs or playlists, and almost never algorithm based streams. Instead I put on albums I like. Even in my 10m-15m drive to work, and do that until I’m tired on an album. So, love the question.

    Aesop Rock’s Integrated Tech Solutions. Being a long time fan I thought The Impossible Kid was fantastic. TIK was as creative and ponderous as anything he’d done, but often felt more accessible and personally inviting. While accessibility is not something you generally look for with Aesop, that feeling of being personal really made it pay off. Spirit World Field Guide was good and was interesting, but didn’t work for me as much. Maybe it was a case of enjoying TIK so much, and comparison being the thief of joy? But ITS absolutely feels top notch again. Love it.

    Also worth mentioning is Powerman 5000. A year or so ago (while on a kick to my youth) I found out they were still making music and had released an album (The Noble Rot) in 2020. Shortly after I discovered that, they released one in 2024 (Abandon Ship.) They’re not great songs, but they’re all great vibes. The songs feel like they 3/4s to being great to me. Like they kept the dial at a 7 or 8 instead of turning it up to 11. And even when they did turn it up, it was only at the very end. Maybe he’s going for something different, or maybe I’ve changed, but the strength feels off. But damn the vibes are still there.